© Fabulorum. José Medio

Tadeus Ropac, a respected gallerist and fine expert in contemporary art, opened last fall a new gallery in the Pantin suburb of Paris. In the midst of an industrial landscape, grey and anonymous, a former ironworks factory has been immaculately converted into vast open spaces where oversized canvasses can be displayed  unconstrained.

And so, the gallery’s location is a likely metaphor for the direction taken for present-day art. Travelling away from the city means conquering new frontiers, gambling on uncertain outcomes. Out with the cosseted style of the trendy neighborhoods, in with another form of a brave new world.

The choice of the featured artist, Anselm Kiefer, a fetish angel for the gallery and producer of challenging work, has a double meaning: his oversized canvasses simply need larger spaces and his philosophical musings are better savored in the no man’s land surrounding Pantin.

Thus, Pantin may be a successful trend in the presentation of commercial art that only time will tell. What it certainly is, is a worthy meditation on the restrictive confines of the venues where it has been displayed until now.

2 Comments


  1. Christiane says: February 8, 20139:42 pm

    It looks f a b u l o u s ! Ironworks into Artworks. Truly making the most of re-generation. Thank you, for covering it.

  2. Charley Brown says: February 9, 20133:07 am

    I agree with Christiane…. fabulous! On my iPad the picture you took of the oversized sunflower arrangement appeared to be a reuse of shower heads. Lead is such a sensual metal and Kiefer manipulates it so well, unlike another favorite artist of mine, Richard Serra, who should leave it alone.

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